Upperplayground News

AUDIENCE INTERACTION HELPS CREATE THESE MILKY PORTRAITS BY BEN TRICKLEBANK

Filmmaker and photographer, Ben Tricklebank explores the humanistic need for control through its illusory existence in technology. Endec, his current exhibit at the Gazelli Art House in the United Kingdom, is comprised of two installations, one of which is a new series of photographic prints featuring a female figure partially submerged, yet fully coated in marbled, milky-white fluid.

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The swirls of black dye ripple around her body and simultaneously controls, and is controlled by, the motion of a light reflecting pool where audience members can effect the speed and direction of the ripples. This symbiosis of struggle and accord between the figure and the liquid allows the creative process to shape the unexpected outcome of each ‘canvas.’ As one image on display states: control is an illusion and illusion is control.

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The second installment of the two-part exhibition is also named, Endec, and will be a short film deriving inspiration from the installation and photographic series to follow. Alongside Tricklebank’s solo exhibition, concepts of control, surveillance and security will be examined in a group show featuring artists working with VR (virtual reality) technology in their practice. Displayed on the first floor, this show within a show will introduce the new medium for the first time within the gallery’s context, surveying ways in which the Summer 2016 release of Oculus Rift might influence trends, commercial and institutional engagement and artists working in this field. A full list of artists as well as contributing partners will announced shortly.

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Endec will be on display May 13th- June 25th, 2016 at the Gazelli Art House UK

Photos and Story: Gazelli Art House