Upperplayground News

THE OPTICAL ILLUSIONS OF BRIDGET RILEY

by Ariadna Zierold

bridget riley, optical, illusion, movement, black and white, geometric, upper playground

Bridget Riley is an abstract painter who came to prominence in the American Op Art movement of the 1960s, after her inclusion in the 1965 exhibition “The Responsive Eye” at The Museum of Modern Art. There, her black-and-white paintings, which created illusions of movement, were shown alongside works by Victor Vasarely, Richard Anuszkiewicz, Frank Stella, and Ellsworth Kelly, among others.

bridget riley, optical, illusion, movement, black and white, geometric, upper playground

In the late ’60s, she introduced color into her work and went on to win the Prize for Painting at the 1968 Venice Biennale. Since then her work has unfolded through numerous groups and series that engage the viewers’ perception to induce simultaneously shifting patterns of forms and changing, optical mixtures of colors. Over the past decade, she has also made large, black-and-white murals that shape and articulate the environments they occupy.

“For me nature is not landscape, but the dynamism of visual forces—an event rather than an appearance.”

bridget riley, optical, illusion, movement, black and white, geometric, upper playground bridget riley, optical, illusion, movement, black and white, geometric, upper playground bridget riley, optical, illusion, movement, black and white, geometric, upper playground bridget riley, optical, illusion, movement, black and white, geometric, upper playground