by Ariadna Zierold
John Isaacs’ work encompasses many different media, though much of it has origins in sculpture. The artist continually redefines his style, moving seamlessly through installation, sculpture, photography, film, painting and drawing.
His work is a personal meditation on the physical memory of the body as its own landscape, as a place of inner emotional conflict, and not merely a depiction of obesity. The heroic, somewhat classical, pose is absurdly contrasted against its physical form. This fictional and anonymous figure is a monument, a mirror to our current historical moment in which we confront everyday the side effects of our over consumption, waste and pollution, but are virtually powerless to change our course.