Yes.

January 24th, 2012

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We will take one of these.

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The Shape and the Color: Ellsworth Kelly

January 23rd, 2012

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Blue and Orange and Green, painted in 1964 by Ellsworth Kelly. Stressless. On display at LACMA through April 22, 2012.

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When Sumo Wrestlers Need to Call Home

January 20th, 2012

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Obviously, they don’t have anywhere to put their cell phone. A great photo by Andri Pol.

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Classic Burberry Ad with Christy Turlington

January 18th, 2012

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Good look, both in jacket and style. We miss this era of supermodel, and this era of Burberry fashion.

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Marie-Berthe, Max Ernst, Lee Miller and Man Ray

January 17th, 2012

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1933. Pure Dadaism

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This is Sooooo Temporary

January 17th, 2012

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We don’t know who did this but we really like what they did with it.

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Jeff Canham and Luke Bartels “For The Birds”

January 17th, 2012

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Very, very, very clever work by SF’s Jeff Canham and Luke Bartels. (via Booooooom)

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Twixt Sc 83

January 17th, 2012

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FIFTY24SF Gallery, in association with Upper Playground and American Zoetrope, are pleased to announce TWIXT sc. 83, an exhibition and installation coinciding with legendary filmmaker Francis Ford Coppola’s newest feature film, Twixt. The exhibition opened January 13, 2012.

Over his past three films, Francis Ford Coppola, famed director of The Godfather trilogy and Apocalypse Now, has set-out to create self-written, self-financed, self-produced, and self-distributed films with his own intimate crew. Developed through personal experiences, a love of American Gothic, Edgar Allan Poe, and Coppola’s own trials as a horror genre author, Twixt is the story of B-list author Hall Baltimore’s process of writing his new mystery while researching an old murder case in a remote Northern California town. While Baltimore (played by Val Kilmer) is seemingly rewriting history with the help of the an eccentric town sheriff, he finds himself embedded in his most personal, demanding story he has ever written. Filmed around Northern California with locals as actors, as well as sets built on Coppola’s own property in Rutherford, Twixt examines the process of storytelling as it applies to personal experience, artistic influences, and the classic American genres that have become staples of modern cinema.

Working within their own self-financed restraints and freedoms, the team behind Twixt had the unique experience of researching and building sets in and around Coppola’s home in Northern California. Many of the sets were built in Coppola’s backyard, while some required the small town backdrops of Northern Napa and Lake counties. In keeping with the original spirit of American horror, some scenes were created with intentional kitsch, while some dream sequence were shot with highly-detailed, ornate sets and original post-production work.

For TWIXT sc. 83, members of Twixt’s tiny tiny Art Dept, (Jimmy DiMarcellis, David Hopp, and John Paul Goorjian) will be rebuilding the set of the film’s dramatic climax sequence, scene 83. The center of the gallery will feature a remake and stand-alone installation of the film’s clock tower, shown in the film as an impromptu 3D experience. Also on display from Twixt, will be bat and birdhouses from Nice, California artist John Hathaway, whose front yard/gallery/shop “The Woodpecker”, was a key set in the film. TWIXT sc. 83 will also feature a series of other pieces from the film’s set department that were found around different locations in Northern California and in the Coppola archives, as well as behind the scenes and set photography by the film’s executive producer, Anahid Nazarian and Set Photographer, Kalman Mueller. The gallery will run trailers of the film, along with other enhancements to bring Twixt’s horror scenes to life.

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Twixt sc. 83 Install Photos

January 13th, 2012

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Ellsworth Kelly

January 12th, 2012

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We used to not be huge fans of the minimal, but this Ellsworth Kelly image is really quite striking. Coming to Matthew Marks LA Gallery on January 19, 2012.

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