Solid interview with Boogie

June 29th, 2010

Boogie Photographer Portfolio Pictures Interview Solid interview with Boogie  tees t shirt photography Interview Boogie bloginity apparel

Bloginity just released an interview with Boogie.  Check it below, and be sure to check out some tees by Boogie while you’re at it

Daniel: First of all, congratulations on becoming a father. How has the experience been for you?

Boogie: Amazing as always, it’s my second time – again we did a home birth, no doctors, no hospitals, just my wife, the midwife and me.

Daniel: I noticed you’ve got quite a few books out there. Did you document the birth of your child?

Boogie:
As much as I could, it’s hard to take photos while you’re assisting a child birth.

Daniel: Lots of Gangs, Drugs, Skinhead photography. That screams trouble, are you not afraid meeting with these people, taking their photographs? Have you ever encountered trouble? – How do you approach these people at first?

Boogie:
While I was photographing gangsters, skiknheads, junkies, it never crossed my mind to be afraid. Otherwise I wouldn’t have been able to get those photos. People can sense fear easily – plus, I don’t think any photo is worth risking your life for. I encountered some minor problems, but nothing serious, after all I’m still here. I always listened to my instincts, they kept me safe.

There is no recipe for approaching people. You either have it in you or you don’t. Usually if you treat people with respect they’ll be ok with you.

REST OF THE INTERVIEW HERE



Amanda Lopez

June 28th, 2010

Posted from The Citrus Report

a3e173f4b4egh4x5.jpg Amanda Lopez The Citrus Report San Francisco photography photographs lottery Interview gallery show exhibition

When Austin McManus sent us info on Amanda Lopez’ CALI Love show at Free Gold Watch in SF this past week, we forgot we had this interview with Lopez in our archives. So we brought it back.

Amanda Lopez is a young talent with big horizons. While taking photography classes in SF (where she moved from Sacramento to attend college), she connected with other determined female photographers and together the seven started Dandelion Black. Outside of the collective, Amanda’s go-getter mentality scored her the chance to work under Estevan Oriol, who has his own line at Upper Playground among other massive accomplishments.

Just as Amanda extracts everything she can from her mentors, she is equally capable of drawing out one’s personal history in her portraits. They narrate a culture, an identity, and a real human experience. See what she has to say about the meaning behind her photographs and how she got where she is. —Kirsten Incorvaia

TCR: How did you land a job with Estevan Oriol?

I saw Estevan’s work for the first time in the pages of The Fader when I was in college and was immediately in awe of his talent so I looked him up and sent him an email. Estevan was so gracious and emailed me back. I was impressed because he took the time out to write a fan back and he didn’t have to. I stayed in touch with him via email over the years and when I finally got a chance to move to LA for a little while, I emailed him again and he gave me the opportunity to assist him. I felt like I had won the lottery!

TCR: What was the hardest part about working with him?

I felt really lucky to be able to assist my favorite photographer so there was never really a time when I felt like things were super difficult. Sometimes photo shoots would last all day but really it was incredible to watch and learn. He’s an amazing photographer.

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TCR: You did a whole series about your checkered Vans. Do they ever give you blisters?

Never. That’s why I rock them. Vans Por Vida.

TCR: How’s the art program at SF State?

The program is really geared for a student interested in fine art. Whatever that means. I was frustrated because I felt like I wasn’t learning technique. I studied art at SF State with an emphasis in photography so I learned how to color print at state and met some dope people but I felt like I learned the most and was pushed the most once I got out of school and started taking photo classes at city college in SF, and assisting photographers like Norma Cordova, Dylan Maddox, and of course Estevan Oriol.

TCR:  How did you escape the vortex of LA?

When I moved to LA, I knew I wasn’t going to stay forever. I went because I wanted to experience new things and check out the scene. I really enjoyed my time in Los Angeles but I am a Northern Cali girl at heart. I left my corazon in San Francisco plus I couldn’t continue to spend so much time sitting in traffic. LA traffic is horrific. The stories are true.

Posted By The Citrus Report



JUXTAPOZ INTERVIEW WITH POROUS WALKER AND KRISTIN FARR

June 28th, 2010

Posted by FIFTY24SF Gallery

17ab9f81e6KP1.jpg JUXTAPOZ INTERVIEW WITH POROUS WALKER AND KRISTIN FARR still causing said the same question porous News kristin Interview Gallery extreme mouth

Juxtapoz posted a little interview with Porous Walker and Kristin Farr online about their ongoing show at FIFTY24SF… it runs until July 26th, and is still causing smiles from everyone who walks into the gallery.  Here’s a little snippet of the interview…

I asked both Kristin and Porous to answer this question twice, once as themselves and once as the other person. “What is this show, and the artwork you’ve created for it, all about?”

Porous Walker: Well Katie, this is a show of art. Yes, the art was created for it. About? What? Duh, it’s all about doing it better than Kristin Farr.

Kristin Farr: That’s a very great question Katie. I am hesitant to answer the question, because whatever I say, Porous will have probably already said the same thing like 10 years ago. If you were to have a contest between Porous and Kristin, like an ass kicking contest, I would win that, but if we had a who has a fat stomach, bad teeth, partially stupid brain and extreme mouth breathing, Porous is the world champion.

READ THE REST HERE

SEE THE REST



KC Ortiz Interview

June 24th, 2010

KC Ortiz Photograph KC Ortiz Interview We Are Supervision The Citrus Report photography kc ortiz Interview Chicago

Here’s an interview The Citrus Report just did with KC Ortiz (you may know him from the t-shirts we just released of his…)

TCR: The best way you can, how can you describe We Are Supervision to the outside world?

Supervision is a collective that consists of a group of good friends who combine their collective forces to help further each other and the group as a whole. It also serves as an umbrella for commercial work, pushing and protecting all its members in the business side of things. It’s almost comparative to a crew. Which, the majority of us having come out of a graffiti background, it makes sense that we started our own crew to take on the world and try to get peoples attention with. With no formal training or schooling it was probably only natural that we fell back into what we knew best and had worked for us in our lives, forming a collective/business in a crew like format.

TCR:  You have a pretty amazing photo site, and I guess the first question seems to be you travel a lot, so are you a hired photographer? How do you get access to all these amazing places?

Thank you. I work as a freelance photographer, sometimes on assignment, sometimes on my own personal projects, both of which have me traveling a lot. I use any and everything I can to get good access for my stories.  Sometimes its something simple that who ever I’m working for has prearranged, more often then not it comes through a good fixer or local who is really connected in the way I need. Nothing could be accomplished without the fixers, organizations, and people on the ground. Outside of that, it often takes a lot of hard work and good luck to find what you are looking for, meet who you need to, and get what really matters to the story I am trying to show. And of course, it doesn’t always work out as planned, as there are plenty of places in the world that work on a whole different playing field and aren’t concerned with your time limits or needs, often understandably.

TCR: Talk about Chicago, as in the stuff that most outsiders don’t know about. The spots for graffiti, culture, food, everything.

“Loving Chicago is like loving a woman with a broken nose.” —Nelson Algren.

Chicago is a big city without the attitude. Don’t get me wrong, there are plenty of attitudes on the corners, in the bars, and other haunts, but they are not pompous attitudes. They are attitudes against attitudes. It’s not NYC, its not LA, its not Paris, its strictly Chicago. And it’s proud of that. Its a little rough around the edges, and BS doesn’t go far. A lie gets called out pretty quick, nobody is impressed what you have or don’t have, and if they do care, they are going take whatever it is that you have. That’s always been the Chicago way. When you see something you want, you get it. Some people earn it, some people take it. But they will get it if they really come out of a Chicago block. I think a lot of it may have to do with our weather, if you live in a place that is inhospitable over half the year, that’s going kind of toughen you up in a way that other places cant.

That being said, its a great place to visit! We do have some great food, street food, ethnic food, pretty much any kind of artery clogging food you can think of. Tons of steak spots, hot dog stands, bars, taverns, pubs, clubs, any everywhere else you can grab a drink. You have to love a city that’s greatest contribution to the culinary world is the leftovers of a pig slaughter with a salad on it.  Eating food is a great way to see the city as well.  Most of the different neighborhoods all have their own kinds of food as they are all segregated by ethnic lines. So you get a chance to check out how most people in Chicago really live, and eat a bunch of food in the meantime.

READ THE REST OF THE INTERVIEW HERE



Will McChrystal be fired over remarks about administration?

June 22nd, 2010

Posted from The Citrus Report

0f784647cbeLarge.jpg Will McChrystal be fired over remarks about administration? rolling stone Obama national Interview culture biden being the ones afghanistan

Kudos to Rolling Stone magazine for being the ones who have the story where General McChrystal, the top commander in Afghanistan, and his aides are speaking poorly about Obama, Biden, and other top administration members. We haven’t read it, we don’t know if the issue is out yet, but McChrystal has been summoned back to Washington for a chat with Obama and Biden.

NY Times says, The article shows General McChrystal or his aides talking in sharply derisive terms about Mr. Biden; Ambassador Karl Eikenberry; Richard C. Holbrooke, the special envoy to Afghanistan and Pakistan; and an unnamed minister in the French government. One of General McChrystal’s aides is quoted as referring to the national security adviser, James L. Jones, as a “clown.”

Read more here.

Posted By The Citrus Report



Jay Sajko from Upper Playground PDX / SEA

June 22nd, 2010

IMG 1153 605x453 Jay Sajko from Upper Playground PDX / SEA upper playground SEA pdx Jay Sajko Interview

Here’s a little interview the folks from The Citrus Report posted with Jay Sajko from the Portland and Seattle Upper Playground locations…

TCR: How did your relationship begin with Upper Playground, and how were you able to open a store in Portland, and few years later, in Seattle?

Originally it began with a record/clothing shop in Portland called 360 Vinyl that specialized in the underground music culture and apparel brands that you couldn’t find in the mall or your average run of the mill store. There was an amazing amount of great music in the electronic, dance and hip-hop genres that was coming out in the late ’90s and some great apparel brands that were launching at that time as well. We added the apparel end of things to the shop from the beginning and it made for an interesting shopping experience for customers. Upper Playground was a brand that we carried and supported pretty much from the beginning. I should add that I owned 360 Vinyl and operated it for about 9 years.

Upper Playground approached me in 2006 about opening a flagship store in Portland, which for the brand was going to be its first flagship store outside of San Francisco. About five months later we opened the store. For me it was a no-brainer as far as if it would work. Portland is a young city with a great art community and it likes to do things that aren’t conventional. I knew that Upper Playground would make a perfect match. With me being based in the Northwest and with the success of the Portland location it made sense a few years later to open the Seattle location in 2008. Seattle, like Portland, has a great art community and a diverse group of artists that live there.

TCR: Has the Pacific Northwest responded well to UP? The region-specific graphics are fantastic.

The Northwest has been supportive of UP on so many levels. It makes things so much easier when the community is receptive and gets what you are doing. Yes we’ve been lucky to have some amazing graphics in the stores from some of our favorite UP associated artists. My favorite parts of the stores are the permanent installations… Choe, Saber, Sam Flores, Herbert Baglione, Jeremy Fish, Munk One, Cody Hudson, Will Barras, Nate Van Dyke, Mear One, Morning Breath, Usugrow; the list is long and deep. They have all left behind amazing works inside the retail stores.  People trip when they see these.

READ THE REST HERE



MAYFOURTEENTH

June 14th, 2010

Posted from The Citrus Report

0cdd35718fshapes.jpg MAYFOURTEENTH work vintage sunglasses vintage eyewear News mayfourteenth Interview financial Features country buenos aires benjamin belsky argentina

This interview was conducted while Benjamin Belsky, whose MAYFOURTEENTH handmade-in-Argentina- sunglasses-label is releasing it’s first collection at a pop-up shop at Fillmore and Haight in San Francisco today, was polishing a 24-karat gold machine gun with a Gucci grip (the gun is part of the exhibit in conjunction with the shop, featuring the work of Peter Gronquist). And so we begin. . .

TCR: Why sunglasses?

Out of a love of everything vintage and handmade, I start collecting eyewear. And I soon realized that they really don’t make them like they used to. I was lucky enough to find an amazing factory & friend that adheres to the level of craftsmanship I respect.

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TCR: How did the connection with Argentina begin?

I was doing some work for a design studio in Buenos Aires, called Furia, and they do a mix of fashion and advertising, a kind of creative think tank. We were working on a project for fashion week in Buenos Aires, and I was introduced to a local optometrist that helped start my first collection.  I like the vibe in Buenos Aires, I feel like there are some parallels and similarities to San Francisco. They also have a great sense of craftsmanship and quality unlike most places in the world.

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TCR: Is Argentina known for sunglasses?

There is an amazing amount of vintage products in Argentina. There was a distinct renaissance before their financial crisis and come back where the country produced and designed a lot of great furniture, leather goods, eyewear and even some weapons. They have an affinity for craftsmanship with great sense of style. I actually found more vintage eyewear in Buenos Aires than anywhere I have been in the world. Ever since the brand’s inception I wanted to steer away from the typical mass-produced eyewear that you see on the market today. Argentina was the answer for me.

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TCR: How many styles are in your first collection?

The first collection is made up of 6 different shapes in various colors and acetates. We have also done a few collaboration designs and shapes with other brands in limited colors and shapes that will be leaked throughout the next year. Our pop-up boutique will showcase our first collection, as well as a few collaboration designs, and about 300 vintage deadstock styles.

TCR: How many of each pair did you produce?

Every thing is produced in small runs, under 1,000 to ensure the highest quality. Our factory is small operation, fourth generation business. Each step of the process is done in the same place by master eyewear craftsmen who have been shaping eyewear for decades.

Posted By The Citrus Report



Dustin Canalin

June 10th, 2010

Posted from The Citrus Report

9008d9c75a05x605.jpg Dustin Canalin The Citrus Report russian loved the work Lifestyle Interview inspirations herbert bayer european citrus report check out every

For the record, we did this interview a while back, when thoughts of the NBA Finals were long down the road. And look at that Finals question we asked Dustin Canalin, Creative Director of New York City-based apparel and sports-inspired brand, UNDRCRWN… we knew what was going to happen come June. But we are not here for that, we are here to celebrate and discuss Dustin’s 3 new graphics for Upper Playground that have just been released. So onto the discussion. —The Citrus Report staff

Q: You are, you started, and you are now working with/on?

I am Dustin Canalin. Creator and Creative Director of UNDRCRWN the lifestyle brand.

Q: We’ve been huge fans of UNDRCRWN, of course because some of us are basketball/sports fans, but I’ve always felt that a lot of the work has a European poster art vibe. Who were some of your influences?

Wow. I’ve never heard that. Not many people make that comparison. They’re usually so overwhelmed by the music and sports references. I’m glad that you got that vibe. I am a huge graphic design history fan. One of my favorite and most inspirational design styles has always been Russian propaganda posters. The typography was always so powerful to me. I never knew what the posters said, but they type still evoked an emotion. I’ve also loved the work of John Hartfield, Herbert Bayer, anything Bauhaus, Saul Bass, Norman Rockwell, and Kyle Cooper. I love typography. With all the fonts loaded on everyone’s computers, typography is not a respected craft these days with on everyone’s computer these days. It’s a lost art form.

7a8dc492423.jpg Dustin Canalin The Citrus Report russian loved the work Lifestyle Interview inspirations herbert bayer european citrus report check out every

Q: How do you prepare for a season of UNDRCRWN? For instance, the last season you have worked on, what were some of the inspirations?

With UNDRCRWN I always want to make sure that we expand our position in the market. We don’t do the same thing twice. I try to make sure that we mover further away from what people expect every season. I want people to look forward to what’s next.

Q: New York is crowded, brand-wise. Who do you think is doing right at the moment?

Now that I have my own line, it’s hard to stay up on what’s new. I usually fill voids in my closet with every line, so I don’t have any need for anything new. As far as brands I admire and check out every season, I’ve been a huge fan of Ralph Lauren’s Rugby line since its creation. The brand I love and follow the most are Polo, Paul Smith, Adidas, Marc Jacobs, Junya Watanabe COMME des GARCONS, and Canal St.

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Akina Cox & Joseph Imhauser

June 9th, 2010

Posted from The Citrus Report

2ad10a856e05x402.jpg Akina Cox & Joseph Imhauser monte vista projects lye berry los angeles galleries lifesize joseph lifesize joseph imhauser Interview frank couple citrus report art

AKINA COX and JOSEPH IMHAUSER
Proust, Lye’s and Videotape
by j.frede

Los Angeles based artists Akina cox and Joseph Imhauser present Lifesize a new  exhibition that explores social interactions and shared experience, paralleling historical  events through their own personal relationships and encounters. The exhibit features  sculpture, video, paintings and photographic documents that “aims to investigate the overlooked or underappreciated associations between people, places, and incidents” as stated in the press release for the exhibition.

“The concept for Lifesize came out of a collaborative project I have been working on with  Akina Cox for the past year called Lyeberry. Its main focus is to personalize the way  information is shared from one party to the next. We both have an interest in  collaboration and how influence can alter our own thoughts and experiences, with that in mind we both had been producing artworks that were exploring how voices outside of our own could be used within our practice.” Imhauser stated in a recent interview about the  exhibition.

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For Lifesize Joseph Imhauser presents Frank and Lina Nonaka, an installation of three parts that takes a look subtle look at the history and lives of an elderly couple; Frank and  Lina Nonaka. The piece began with an interview with the couple, documenting their memories and collecting stories from their lives. The interviews are presented in parallel to a video of the couple having lunch with their oldest grandson and the artist himself.

Imhauser explains, “Frank and Lina Nonaka started out as a home video to document Frank and Lina’s lives, a personal archive of their memories and experiences. While editing this interview with Frank and Lina, I thought about how the earnestness of this documentation can alter the way an audience accesses the information they are being offered. With that in mind, I produced the other pieces, a video documenting a lunch their grandson and I made and ate with them, and a composite photograph of all the snapshots and ephemera found in one shoebox in a closet housing family photos.”

Posted By The Citrus Report



Tyler Soverns

June 8th, 2010

Tyler Soverns” posted from: The Citrus Report | Art, Culture, News, Graffiti, Music, Street Art, Clothing, Politics, Reviews

30d5bc819105x390.jpg Tyler Soverns Upper Playground Seattle underground tyler soverns street seattle on june seattle photographers seattle art party music jen vertz Interview FIFTY24SEA Gallery diverse the hip Clothing

To capture a feeling or an emotion in a photo is difficult, but doing that while being in pit of screaming twenty somethings jumping and pushing to get right where you are, can seem impossible.  But it’s exactly what Tyler Soverns’ specialty is.  And he does it well.  Unlike any traditional photo shoot, live concert photography can entail the crowd turning against you because you’re in their way, and you don’t want to be all up in the band’s face- but the fine line of this middle man nice guy has captured the hearts of both by taking epic shots of the party and the party makers.  His recipe of shutter speed, exposure, observation, drunken nights, and great looking people dripping in sweat has baked up a fine mix of beautiful images.  Tyler’s upcoming show at Upper Playground / Fifty 24SEA Gallery in Seattle on June 18th is highlighting the local music scene in the area. —Jen Vertz

TCR: So I’ve seen lots of awesome musicians photos and live party pics that you’ve done, is this your favorite subject to photograph?

I’ve always been drawn to music. I’ve played in punk bands before and I found that I was a better photographer than a songwriter. Shooting bands keeps me connected with that passion. What I really enjoy is capturing high-energy moments in small spaces. I think a good photo should make you feel something and my goal with live music and party pics is to make you wish you were there. Also shooting with a super wide-angle lens can make you feel like you ARE there when you look at the photo.

89a34c39b305x405.jpg Tyler Soverns Upper Playground Seattle underground tyler soverns street seattle on june seattle photographers seattle art party music jen vertz Interview FIFTY24SEA Gallery diverse the hip Clothing

TCR: Are you a mega fan of hip-hop?

I am now! But I really wasn’t a huge fan of hip-hop until I started shooting bands in Seattle. I mean, I liked Kool Keith, early Outkast, and stuff like that. Nothing too deep, you know? But when I witnessed the energy and talent in the underground hip-hop music scene in Seattle I was instantly drawn in. My interest in hip-hop keeps growing and I am constantly impressed with how imaginative and diverse the hip-hop scene is here. After gaining a little more understanding of hip-hop music I became very interested in hip-hop culture in general and have met some very talented breakers and graff artist here, too.

Posted By The Citrus Report