Saner x Liqen in Mexico City

January 8th, 2012

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Meredith Dittmar @ FIFTY24MX Gallery Preview

December 8th, 2011

ed70c5fc57th3low.jpg Meredith Dittmar @ FIFTY24MX Gallery Preview person mexico city mexico meredith larger practice flash video FIFTY24SF Gallery boston mass art

Portland’s Meredith Dittmar is opening a new solo show, Now You See It, Now You Don’t, at FIFTY24MX Gallery opening this December 10th. If you are in Mexico City….

Meredith Dittmar (Massachusets, 1974)  is an artist living and playing in Portland OR. Born near Boston Mass, she grew up in a world of pet pigs, horses, hay-forts and spy games. Follow this with an education in computer science, a career in interactive design, a compulsive need to create, and a drive to Seek and you get the major elements of her person and work.

Dittmar’s human-animal-plant-energy amalgams contain threads of common elements and colors to express deep levels of union across themes of biology, technology, and consciousness. Her characters are frequently involved in quiet expressive moments, or lounge facing their audience so they can share their inner space. Dittmar believes it is this space we recognize in ourselves, and through convening in that space, the interconnectedness of all things is revealed. She sees the act of spontaneous artistic creation as part of a larger practice of being present, and a way to better understand herself and reality.

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Herbert Baglione in Mexico City

November 28th, 2011

01ccc4b8bc05x403.jpg Herbert Baglione in Mexico City streets statement people neighborhoods mexico Herbert Baglione herbert conversations color

I have a lot of difficulty on painting in the streets for no reason. I end up creating thousands of barriers that prevent me from doing something just for the pleasure. But, since my last trip to Europe I have noticed the power that the streets have, and I’ve forgotten. The communication with the people in the neighborhoods is a very valuable thing.

After one month there, I’ve stayed a few days in São Paulo, breathed my daily carbon monoxide and traveled to Mexico so that I could give death a kiss.

You know that feeling when sometimes you need to be in another place to see where you came from and what made you happy? It was that kind of feeling I had in Oaxaca. I can try to describe it saying that I died and there they gave me a new opportunity to reborn.

At the party of the Dia de Los Muertos I felt all the passages of the soul. In the color and simplicity of the people’s houses I saw similarities with the Brazil I like.

I’m far from being mystical, but I feel that in many places I’m not there by chance.

Strangely, the stone streets, the wind and the lights reminded me of the places that I consider the best to paint in São Paulo. Parque São Lucas, Vila Ema, Vila Prudente, Ipiranga and Mooca (neighborhoods in São Paulo) are the places that I miss and every time I go there, my heart beats differently.

I remembered some paintings I did with Boleta and Vitché, our wanderings and endless conversations.

It’s different when you are invited to paint with another artist that you don’t have the intimacy, and your work flows so naturally that scares. So it was with Lakra.

The first thing I admire about someone, regardless of their art, is their simplicity in life in general. I identified immediately with him and this was a safe step for our work. In fact, in this kind of experience, the least important thing is the result. The process is priceless. The people who passed by, the conversations during painting, a child dressed as Spiderman seeing everything with curiosity, filming and photographing friends. All those things show that it meant something else other than what was recorded on the wall. —Herbert Baglione

7c957695cb05x163.jpg Herbert Baglione in Mexico City streets statement people neighborhoods mexico Herbert Baglione herbert conversations color

37ba4e145005x907.jpg Herbert Baglione in Mexico City streets statement people neighborhoods mexico Herbert Baglione herbert conversations color

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From The Citrus Report

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Dr. Lakra and Herbert Baglione get down in Oaxaca

November 9th, 2011

66f40c827905x403.jpg Dr. Lakra and Herbert Baglione get down in Oaxaca playground oaxaca oaxaca oaxaca mexico upper mexico herbert mexico Herbert Baglione herbert headlines Brazil beautiful mural

We are extremely excited about the collaboration of two of our favorite contemporary artists, Mexico’s Dr. Lakra and Brazil’s Herbert Baglione The two, just in time of the Day of the Dead festivities in Oaxaca, Mexico, painted this beautiful mural on the streets of Etla. This is just Day 1, and we can’t wait to show you the full mural in the coming days…

83d3126f6905x403.jpg Dr. Lakra and Herbert Baglione get down in Oaxaca playground oaxaca oaxaca oaxaca mexico upper mexico herbert mexico Herbert Baglione herbert headlines Brazil beautiful mural

From The Citrus Report

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Herbert Baglione x Dr. Lakra in Oaxaca, Mexico

November 8th, 2011

dr. lakra Herbert Baglione oaxaca dia de los muertos Mexico Upper Playground Matt Revelli Juxtapoz144 Herbert Baglione x Dr. Lakra in Oaxaca, Mexico oaxaca Mural mexico Herbert Baglione Dr Lakra day of the dead

Upper Playground Mexico City was able to coordinate our good friend and longtime collaborator, Herbert Baglione, to paint with one of the great contemporary Mexican artists, Dr. Lakra (who has collaborated with UP in the past, and has a major museum exhibition in Mexico City in December 2011), in San Agustin Etla for the Dia de los Muertos (“Day of the Dead”) celebration this past week. This is Day 1 of the 3-Day project, and as you can see, both artists were able to combine their unique styles in a seamless, dramatic piece.

dr. lakra Herbert Baglione oaxaca dia de los muertos Mexico Upper Playground Matt Revelli Juxtapoz110 Herbert Baglione x Dr. Lakra in Oaxaca, Mexico oaxaca Mural mexico Herbert Baglione Dr Lakra day of the dead

dr. lakra Herbert Baglione oaxaca dia de los muertos Mexico Upper Playground Matt Revelli Juxtapoz115 Herbert Baglione x Dr. Lakra in Oaxaca, Mexico oaxaca Mural mexico Herbert Baglione Dr Lakra day of the dead

dr. lakra Herbert Baglione oaxaca dia de los muertos Mexico Upper Playground Matt Revelli Juxtapoz156 Herbert Baglione x Dr. Lakra in Oaxaca, Mexico oaxaca Mural mexico Herbert Baglione Dr Lakra day of the dead

dr. lakra Herbert Baglione oaxaca dia de los muertos Mexico Upper Playground Matt Revelli Juxtapoz151 Herbert Baglione x Dr. Lakra in Oaxaca, Mexico oaxaca Mural mexico Herbert Baglione Dr Lakra day of the dead

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Rene Almanza “Stranger” Opening Night Photos

September 30th, 2011

83e86cb3ff45 PM.png Rene Almanza “Stranger” Opening Night Photos watercolors Rene Almanza photos opening night opening mexico almanza stranger almanza

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da9fbbe26c39 PM.png Rene Almanza “Stranger” Opening Night Photos watercolors Rene Almanza photos opening night opening mexico almanza stranger almanza

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Liqen in Chiapas

September 13th, 2011

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Spain just has it right now with talent. We endorse a little Liqen, who finished this mural in the Chiapas region of Mexico recently. Like Walton Ford and Escif rolled into one.

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via unurth.

From The Citrus Report

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Liqen in Mexico

September 12th, 2011

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Just somebody for everybody to pay attention to… Liqen does really great work in the new tradition of a lot of European muralists doing great mural work around the world. Liqen here did this piece in Mexico.

junio agosto 2011 502 1000 Liqen in Mexico street art mural art mexico liqen

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The Surfing Orange Report

September 3rd, 2011

b6c3aa94b405x622.jpg The Surfing Orange Report waves at black surfing orange surfing orange report surfing Summer mexico crowded mayhem california black biggest south biggest

If you surf at all, I’m sure you noticed the biggest south swell all summer has been lighting up the entire California coast. We personally went down to Baja to get away from the crowded mayhem of the Golden State and returned just in time to catch some waves at Black’s in San Diego (we even got to use our semi-gun, in the summer!). If you do surf and you somehow missed this swell, go get the tail end of it, now.

-The Surfing Orange Report 1:35 PM September 3rd.

From The Citrus Report

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Anthropocene Extinction: A Site Specific Installation by Swoon at the ICA/Boston

August 30th, 2011

 Anthropocene Extinction: A Site Specific Installation by Swoon at the ICA/Boston various peoples Swoon pedro alonzo over the years over the world News mexico kids images FIFTY24SF adjunct curator

CA Adjunct Curator Pedro Alonzo sat down with the artist recently to hear more about her work and process:

PA: With regard to your creative process, you mentioned how your work is about traveling and observing the world. Could you talk a bit about that?

SWOON: Well, I like to travel a lot primarily just to get a global perspective, and also to get a sense of how people are surviving and making do all over the world. When I travel I try to seek out various peoples’ movements; I’m interested in how people are self-organizing. I try to weave these stories into my working process…I find them so inspiring. I feel like so many of these stories point toward something bigger about the way we can all survive in the world.

PA: A lot of the images seem to either portray people who have been left behind by globalization, or in other cases, your friends who are opting out of a world reliant on globalization. Are you trying to represent their stories in your work?

SWOON: I think in an intuitive way. Sometimes I’m actively seeking those kinds of images, like the time that I drew women who were self-unionizing in Mexico, or the kids who were living on the other side of the wall in Palestine. I’m definitely seeking out some of that, and also feel like so much of the community that I have built myself over the years has been about people who are trying to find other ways of living.

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