by Ariadna Zierold
South Korean artist Su-Jeong Nam’s work mirrors the biological processes of her subjects. She begins with the base of color, applied with dry pigments. And then, line by line, vivid portraits of the natural world are grown.
From a young age, Nam’s weak eyesight forced her to train herself to view objects in a different way. Now, instead of looking at a flower and seeing a flower, she sees the lines that make up the flower — not just the outline or the lines that might be visible on the surface, but lines down to the cellular level.
She says her detailed images are grounded in the familiar, yet highlight “an aspect invisible to most people, through the language of my own artistic process.” The result is metaphysical, a study of the harmony between the natural world and a broader understanding of the universe.