by Ariadna Zierold
North Korea is often depicted as an Orwellian police state, with no shortage of photos depicting a cold, gray, concrete-filled landscape taken by tourists to the capital Pyongyang. It looks a little different this time in this photo series by French photographer Hélène Veilleux, all thanks to a warm-tinted filter.
Titled 38th Parallel North, Veilleux’s postcard-like images capture the forbidding, typically Communist-era architecture designed to belittle the individual and emphasize the might of the collective. However, with the warm saturation of the images, there is a certain sense of a sickly sweetness to the scenes, enhanced by the cotton candy-like clouds and the cityscapes with little to no people present.