ABSTRACT

Upperplayground News

‘ARTIFACT TO HUMAN COMUNICATION’ BY FELIPE PANTONE

by Ariadna Zierold

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Argentinian-born artist Felipe Pantone (previously featured here) started doing graffiti at the age of 12. He graduated with a Fine Art degree in Valencia (Spain) where his studio is based. Felipe travels the world ceaselessly with his art. His work has been exhibited all over Europe, America, Australia, and Asia.

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His style is characterized by the use of bold colors, geometrical patterns and Op Art elements. Straddling conventional graffiti, typography and abstraction, his work fuses bold elements of graphic design with highly evolved geometric shapes to create an ultra-modern aesthetic which complements and reacts with the stark modernity of our cityscapes.

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THE MULTILAYERED WORK OF RYOTA MATSUMOTO

by Ariadna Zierold

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Ryota Matsumoto is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio. He is an artist, designer and urban planner. Born in Tokyo, he was raised in Hong Kong and Japan. He received a Master of Architecture degree from University of Pennsylvania in 2007 after his studies at Architectural Association in London and Mackintosh School of Architecture, Glasgow School of Art in early 90’s.

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Ryota’s drawings explore and demonstrate the hybrid/multi-layered process where varying scale, juxtaposition of different forms, intertwined textures/tones are applied to reinvent and question the spatial conditions of drawings. Most of work combine both traditional media (ink, acrylic, and graphite) and digital media (algorithmic processing, scripting and image compositing with custom software).

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FUZZY AIRBRUSH GRADIENTS BY MORGAN BLAIR

by Ariadna Zierold

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Morgan Blair (previously featured here) is a freelance illustrator, fine artist, and desperado. She is a recent graduate of Rhode Island School of Design (RISD), now living in Brooklyn, New York and continuing to advance her interest in trees, legos and excellent music.

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Blair’s recent work explores the balance of control and freedom in her process, manifested in a mashing up of low contrast flesh tones with wild, neon color schemes; hard edges with fuzzed out airbrush gradients; smooth, flat shapes with brush marks and rough, sandy textures; and wonky, irregular forms with geometric curves and angles. The resulting optical abstractions play on the absurd in pop culture, current events, the mall, the internet, common street trash, consumerism, and personal experience.

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THE CHANGING LANDSCAPES OF LIFE BY ANTHONY HURD

by Ariadna Zierold

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Anthony Hurd‘s work is an endeavor of exploring his own personal demons and understanding the ever changing landscapes of life. A way of expressing sometimes the inexpressible. The motifs change over time but currently the works he’s pursuing focus on cyclical nature of life, the rise and fall, the destruction and rebirth, the dark and light. Fighting depression and anxiety with introspection and personal growth. The work is a bit of a celebration of survival, and the depths of darkness that have revealed his own personal greatest truths.

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ABSTRACT VIBRANCE BY CLARK GOOLSBY

by Ariadna Zierold

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Brooklyn, New York based Clark Goolsby‘s abstract paintings spring from an interest in how we maintain optimism in a world that is so full of potentially life-ending situations. Goolsby’s imagery often references mortality, the passage of time, and mutable perceptions of space; skulls, body parts, and skeletons are recurring motifs in some of his abstract compositions.

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His style is characterized by experiments with hard-edge geometry and surrealism, and is also influenced by classical art history and graffiti. In the late 2000s, Goolsby started incorporating different materials into his acrylic on paper works, including collage elements, pen, pencil, spray paint, and markers. More recently, he has created multimedia sculptural installations with string.

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